If it bleeds it leads - deaths and hurt are more likely to be on the front cover of newspapers intertextuality and audience interpretation where a media product references another where a media product only makes sense through its reference to another media product intertextuality - audience feel more connected and better about themselves, as they feel they have seen something that not everyone has seen and more relatable. creates bigger audiences. when in children's films it makes it more interesting for parents - double mode of address. funny helps explain a narrative. use of the lexis: -mayhem -despair intertextual reference to war There is an obvious bias against Theresa may, picked an unflattering picture of may to make her look stupid. Ideology- a system of ideas and beliefs But often used to describe the way in which those in power use their power to distort meaning, and ideology can be normalised the dominant ideas o
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Introduction to The Times and constructing representations
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Intro to The Times and constructing representations Emotionally manipulate the audience for money Manipulate the ideology of the audience- keep them reading the newspaper So that political party pays more attention to that newspaper- editorials, exclusive interviews and stories The media manipulates us ideology to extract money from us Broad sheet serious and formal typography- serious font more copy (text) smaller image more political- hard news 'serous' 'quality' aimed at higher social groups (a,b,c1) plainer layout (little colour on the front page, smaller type face suggests readers will make more effort to read it) and subtle longer article more details serious headlines more focus on politics international news Tabloid makes use of a full page splash if it bleeds it leads 'popular' press aimed at lower social groups (c2,d,e) bold layout (colour on masthead, ver bold typeface, easy to real)
the mail online
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we are engaging in a process of mediation with the producer representation- is presenting something again (often a changed version, only parts of something to change opinions) media language builds up representations- every image has been constructed through construction PEA- Point, Evidence, Argument 1. the group, place or issue on which a media text is focusing 2. the technical devices the media text uses in order to present these groups or issues 3. the message about the group or issue being created within the text 4. the impact of this message on the target audience example: it reenforces the expectation that women should act as sexual objects reenforces a patriarchal hegemonic hegemonic ideology in society the mail online: the online version of the daily mail the mail online targeting women 30-50 an advantage of digital newspapers is they target an audience that would never normally reads newspapers
Blue story
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Blue story The guardian the guardian is a left wing broad sheet- target working class left wing audience vague description, sparse info Daily mail '100 strong machete brawl'- sounds like 100 machetes director says 'the film is about love not violence' ironic 'BBC-funded'- bbcs fault- the Daily Mail hate the bbc, daily Daily mirror the 25 separate incidents was never named there is no new information no footage shows any attacks Narrativization the story reenforces stereotype that black teenagers are violent media amplification- when media stories get blown out of proportion the bbc are respectable and unbiased the bbc don't allow comments on their website, so the public isn't shown- because it might challenge the article the incitement of racial hatred act- inciting racial hatred if someone says racial hatred comments on their website they are responsible- a way to bypass regulation by publishing stories
key theory 9 - feminist theory - bell hooks
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key theory 8 - feminist theory - Lisbet Van Zoonen male gaze - women are used in specific ways in media products- only there for heterosexual men. gender is constructed through discourse, its meaning is varies according to cultural and historic context key theory 9 - feminist theory - bell hooks feminism is for everyone feminism is a struggle to end patriarchal hegemony and the domination of women not just for those who identify as women brexit shambles- shows may in a position of being unstable and unable to control the situation putting her in a position of weakness shown makes her look bad all of the advertisement on the front cover are of betting leaving the eu is a complex issue represented in a joking a light hearted manner- this represents the audience the strap line- 'fighting for you' example of hyperbolic lexis- to make it more interesting, this is because the audience may interpret it as boring "tottering theresa"
what is a newspaper?
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its a gossip news paper ideology= left wing, Jeremy Corbin supporter and labour sans-serif looks at celebrities mainly images- working class Newspaper newspaper focuses on information and news printed on paper- made everyday tabloid papers make use of puns lower quality of images Columbus of text headline image captions Magazine one main image tend to be glossy heading - title of the newspaper displayed on the front gae barcode - used to scan the newspaper when purchasing. caption -brief text underneath an image describing the photograph headline - a phrase that summarises the main point of the article, large print main image - dominant picture on the cover target audience- who the newspaper aims to sell pull quote - something taken from within the article, usually said by the person on the main image classified advert - an advert that only uses text, no graphics skyline - an information panel on the f
introduction to newspapers
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Introduction to newspapers The daily mirror and the times text ↗ ↖ encodes decodes ↗ ↖ producer ←→ audience Audiences can choose to decode a media product i completely different way and connect with the producer Institution and industry are completely separate terms Institution - the values and ideologies of a media product School We live in a meritocratic society Every institution needs to have a unique selling point DIFFERENTIATION- long road, like any institution needs to prove that it is different from other colleges, like hills road for example competition- long road is a business like any other. it needs to enrol a certain number of students to remain economically viable. the same principal
I daniel blake
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I, Daniel Blake Trailor Real life based Journey of character development Typical of genre Uses close up shots to cove emotion in the audience Working class- young single mum struggle to get job, often showed in a negative way The mise en scene creates bleak and low lighting to symbolise grey and diluted colours to show depressing reality of life different to others, has no well known actors, no fast pace editing No product placement Ken Loach 83 year old director Socialist beliefs Labour supporter shown in main ideologies Produces independent films Directed 35 films starting in the 1960s Believes films are only made to male money an no longer share a message issues Left wing views, labour Films with political views only tat a small audience because hey don't appeal to other political views therefore could never be a mainstream film. bbfc founded in 1912, based in London, can't say what swearing means in different cont
Key theory 13 - regulation - Sonia Livingstone and Peter Hunt
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Key theory 13 - regulation - Sonia Livingstone and Peter Hunt Regulation of the film industry in the UK is largely in ineffective The BBFC exists o protect the public from harm The increasing power of global media corporations, together with the rose of convergent media tech. and transformations in the productions in the production, distribution and marketing of digital media, have placed traditional approaches to media regulations at risk.
Regulation
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Regulations The regulatory frame work of the UK film industry BBFC - British board of film classification Uc- Universal particularly suitable for unsupervised children U- Universal, suitable for all PG- Parental Guidance General viewing, but some scenes may be unsuitable for young children 12- contain material that is not generally suitable for children aged under 12 12A- No one younger than 12 may see a 12A film in a cinema unless accompanied by an adult. 15- Suitable only for 15 years and over 18- R18- E- The bbfc has to consider context Universal Children Titles rated bbfc-uc have been classified suitable for all. Universal Titles rated bbfc-u have been classified suitable for all. Parental Guidance Titles rated bbfc-pg are for general viewing, but some scenes may be unsuitable for young children. 12 Accompanied/Advisory Titles rated bbfc-12a are suitable for 12 years and over. No-one younger than 12 may s